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A NATION GROOVES:

A People’s History of Hip-Hop

Created, Directed and Choregraphed by Kambi Gathesha

Sound Design and Sonic Dramaturgy by Sinan Zafar

Project Description

A Nation Grooves: A People’s History of Hip-Hop is a dance-centered theater piece that uses oral history collected over seven years and the dances that make up the freestyle umbrella to tell an origin story of hip-hop. It is envisioned as a documentary theatre piece, a theatrical presentation of oral testimony. Our story begins in the 1970’s with two communities: the black neighborhoods of San Francisco’s Bay Area and New York’s Brooklyn neighborhoods and spans thirty years.

Supported by Project Springboard and the Jerome Robbins Foundation

Workshop at MASSMoCA, January 2021

New dates to be announced.

Kambi Gathesha

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KAMBI GATHESHA (creator, director, choreographer). Originally from Nairobi, Kenya, Gathesha is a Brooklyn-based actor and choreographer. He studied acting at the Juilliard School and dance and African History at Columbia University. As an actor, he was most recently seen in the New York premiere of Obie award-winning playwright Aleshea Harris’ What to Send up When it Goes Down. His other New York credits include Our Lady of Kibeho (Signature Theatre); Romeo and Juliet and A Midsummer Night’s Dream (Classical Theatre of Harlem). Regionally he has appeared at the Williamstown Theatre Festival and he recurs on the forthcoming television pilot “Big Dogs” (Choice Films). As a dancer and choreographer, he has presented work at APAP, PMT, Dance New Amsterdam, City Center, Peridance, Battery Park Downtown Dance Festival, Cool New York, and White Wave. He has collaborated and worked with choreographers Reggie Wilson of Fist and Heel; David Parker’s The Bang Group, Darcy Naganuma, and with Tony Award-winning Hamilton choreographer Andy Blankenbuehler. Education/Training: Juilliard and Columbia.


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SINAN REFIK ZAFAR (composer) is a New York-based sound designer and composer. Broadway: What the Constitution Means to Me (Helen Hayes Theater). Off-Broadway/New York: What the Constitution Means to Me (New York Theatre Workshop, Clubbed Thumb); What To Send Up, and She Would Stand Like This (The Movement Theatre Company); Intelligence (Next Door @ NYTW); Hamlet (Waterwell); Midsummer (Tiltyard). His work has been seen regionally at theaters across the country, including: Williamstown Theatre Festival, Berkeley Repertory Theatre, Yale Repertory Theatre, Weston Playhouse Theatre Company, Dorset Theatre Festival, Two River Theater, and TheaterSquared. University: Yale Drama, Dartmouth University, NYU, Sarah Lawrence College. He is a member of Wingspace Theatrical Design. MFA: Yale School of Drama. SinanZafar.com